At17:00everyday, Andrew, amiddle-agedman, driveshomefromworkthroughMelbourne’soutersuburbsinpeak-hourtraffic.Occasionally, heoffersalifthometoayoungercolleague, David.Overayear, theirtentativesmalltalkgiveswaytoawarmfriendshipandopenconversationwithintheconfinesofthevehicle, incrementallyrevealingtheirlives.Onemaywonderwhatathree-hourfilm, setalmostentirelyinacarandshotwithafixedcamerafromtheback, candeliver?Theanswerisanunexpectedlyengagingandentertainingobservationoftherhythmsofdailylife, andacatalogueofsuburbanworries.Insensorialterms, ThePlainschartsthepassageoftimeastheseasonschange.Thepitter-patterofrainandthefamiliarcocoonofthecarprovideasenseofcomfortandsafetyfromtheoutsideelements.Thecaristheliminalspacebetweenworkandhome, asthedayispondered, thenightplanned.Documentaryelementsexistbeyondthewindscreen, asafictioncoursesthroughthevehicle.ThePlainsisaroadmovieunlikeanythingyouhaveseenbefore.
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